A third party manual (Pogue’s ‘The Missing Manual’) is nearly a thousand pages and is far from complete. ![]() JR: Yes, but unfortunately, the Mac is now a massive mess. Do you think this simplicity of design has been key to making the Mac as popular as it is? JW: Perhaps the longest surviving legacy of your original Mac design is the “appliance” nature of the all-in-one Macs. I answered that with another essay from the same year that is the appendix to “Holes in the Histories” on or surf directly to. It ends with a question: What will millions of people do with them? People who want to know exactly what I was saying in 1979 can read it and other writings of mine at or see the particular document at I wrote forward-looking white papers such as “Computers by the Millions” so that management could see what the computing world would be like in the coming decade. I avoided the supposed “visionaries” in the company who could not understand my idea but presented a business case: People would buy a product that they could readily and happily use. JR: I convinced the chairman of the board at the time, Mike Markkula, of the correctness of my vision. How did you convince the company to allow you to pursue the Macintosh project? JW: You originally managed Apple’s publication unit. I have made changes in the world that are beyond what most people thought was possible, and I hope that my judgment continues to be good as to what is possible to change and what is not. However, like the QWERTY keyboard, some things are so embedded in our culture that it is futile to try to change them. And I did design software that allowed me to compose and edit printed music much more easily than doing it by hand. I’d love to simplify musical instruments we can do better than the present awkward keyboard arrangement on pianos, for example. ![]() I was, however, a music graduate student and later a professional musician. Jef Raskin: I was never a professor of music. Your major contribution to computing, the Macintosh, seems to point in the other direction – simplicity of use. As a musician you presumably appreciate complex but specific tools for use by virtuosos. Jason Walsh: Before the Mac you were a professor of music. He was Apple employee #31 and left the Macintosh team in mid-1981 after Steve Jobs took over the project. but the name remained.īetter than calling it the Ginger of the Granny, that's for sure.Jef Raskin founded the Macintosh project at Apple, which led to the development of the Apple Mac and the popularisation of the graphical user-interface. Much of Raskin's ideas for the Mac were replaced. However, by the time the Mac made it to the store shelves, he was off the project some guy named Steve Jobs decided to take over and pushed Jef out. Raskin was put in charge of the initiative that will eventually revolutionize home computing in the late 1970s. The latter was removed because Raskin found is superfluous the former?) (Here we must point out the extra "a" in "Macintosh" and the missing "f" and "Jeff". Jef Raskin was, however, and chose his favorite apple as the name of, ahem, Apple's new personal computer: the Macintosh. We're not fans of the McIntosh: red, tangy, and sour. Others go for Granny Smith: green, dense, and tart. At JONJ headquarters, some of us prefer Ginger Gold: yellow, crisp, and sweet.
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